Tim Albery’s staging of Wagner’s Der Fliegende Holländer at the Royal Opera House should be renamed Die Frau Holländer. The plight of the Dutchman is as nothing compared to that of Senta, as she is ...
Purchase this and other timeless New Criterion essays in our hard-copy reprint series. Modern stage directors, however, have stood Wagner’s intent on its head: since the redemption theme doesn’t occur ...
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